Roland Sound Canvas

  • As a sound module, the SD-50 Mobile Studio Canvas is entirely worthy of the Roland name. A 1-in/1-out MIDI interface lets you plug in any MIDI equipped controller or keyboard. The SD-50 Mobile Studio Canvas gives you 1,125 sounds and sports a 128-note polyphony. It even comes with impressive Mobile Studio Solo Tones, such as Roland's acclaimed.
  • The classic Roland Sound Canvas sound module is reborn as a software synthesizer for iPhone or iPad. SOUND Canvas is a software synthesizer that emulates perfectly the highly popular GS format.
  • Jun 25, 2021 This soundfont contains the Contemporary (default) GM2 sound set of the Edirol SD-20 sound module, for the most part. Though it is not possible to conform to the GM2 standards due to lack of Bank LSB with soundfont technology, however, I added most of these additional patches in place of their respective GS ones, meaning the GS support is about Roland SC-55 coverage, with a few additions.
  • Roland SC-88 Sound Canvas Sound Module. 64-voice polyphony. 32-part multitimbrality (via two independent MIDI Ins). 8MB of waveform ROM. 654 patches on board: 354 from the SC55 MkII and 300 from JV80. Sound Map: 2 (SC-55, SC-88), Preset Sounds: 654, Drum Sound Set: 24 (including 2 SFX sets), User Sounds: 256, User Drum Sound Set: 2.
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Roland/Edirol Sound Canvas lineup is a series of General MIDI (GM) based pulse-code modulation (PCM) sound modules and sound cards, primarily intended for computer music usage, created by Japanese manufacturer Roland Corporation. Some models include a serial or USB connection, to a personal computer.

Roland

Roland Sound Canvas SC-8820. Visit the Roland Store. 3.1 out of 5 stars. Synthesis Type: Digital Analog Accoustic simulation. Polyphony: Max: 64 Typical in use: 64/ Multi-timbral (number of parts): 32. Effects: Number of FX units: 4 Number of different effects: 64/. Memory: Patches: 1608.

Contents

Products

Sound Canvas

In some cases also sold as 'Edirol' rather than 'Roland' as the brand name.

ModelYearStandardsPartsVoicesTonesDrumsetsOutput resolutionNotesReferences
Roland SC-5519911624317916-bit @ 32kHzHalf Rack unit, first product of the line, units without GM logo technically not GM compatible (GM reset interpreted as GS reset, capital tone arrangement not fully consistent with GM spec).[1]
Roland SC-15519921624317916-bit @ 32kHzTable top version of SC-55[2]
Roland SC-71992GM1628128616-bit @ 32kHzNo display, introduced serial port for PC/Mac connectivity.[2][3]
Roland SC-55mkII19931628354918-bit @ 32kHzHalf Rack unit. A minor upgrade to the original SC-55.
Roland SC-55ST19931628354916-bit @ 32kHzHalf rack unit. Lower cost version of SC-55mkII. No display and only one MIDI input.[2][4][5]
Roland P-551993328320Piano module, with a limited set of instruments.
Roland SC-5019941628226918-bit @ 32kHzSC-55mkII without the Roland MT-32 patches, only one MIDI input.[2][6]
Roland SD-3519931628223816-bit @ 32kHzSC-50 with integrated MIDI sequencer.[7]
Roland SC-3319921628226816-bit @ 32kHzTable top version of SC-50, rebranded as BOSS Dr. Synth DS-330 (fewer tones).[2]
Roland SC-88199432646542218-bit @ 32kHzHalf rack unit, additional height for more controls, introduced multiple triggering and EQ, SC-55 map support (with differences).[2][8]
Roland M-GS64199532646542218-bit @ 32kHzA 1U rackmount version of the SC-88.[2][9]
Roland SC-88VL199632646542218-bit @ 32kHzSmaller sized version of SC-88, with a same size and panel layout as the SC-55.[10]
Roland SC-88ST199632646542218-bit @ 32kHzA black plastic box, with LEDs for MIDI activity. 2 MIDI ins, 1 out. There is one single button on the front panel for switching between SC-55 and SC-88 modes.[2]
Roland SC-88 Pro1996326411174218-bit @ 32kHzSC-55 and SC-88 map support, introduced Insertion EFX and unofficial XG compatibility.[2][11][12]
Roland SC-88ST Pro1997326411174218-bit @ 32kHzA black plastic box, with LEDs for MIDI activity. 2 MIDI ins, 1 out. There is one single button on the front panel for SC-55/SC-88/SC-88 Pro modes.
Roland SC-8801998GM326411174218-bit @ 32kHzA 1U rackmount unit similar to the SC-88 Pro, but with an enhanced 'patch mode' and a newer DAC.[13][14]
Roland ED SC-885019996412816406324-bit @ 32kHzDesktop module that can connect via USB. Contains a new native map as well as SC-55, SC-88, and SC-88 Pro maps for backwards compatibility. However, compatibility with these units is flawed due to modifications made to the synthesis engine as well as improper mapping of older instruments.[14][15]
Roland ED SC-88201999326416086324-bit @ 32kHzMobile MIDI device with no LCD display, successor of the SC-88ST Pro. USB-powered, but does not act as a full USB audio device. A software editor such as GS Advanced Editor is required to edit sounds. Despite similarities, patches and effects occasionally play differently from the 8850 - some samples on the 8850 are stereo while the 8820 versions are mono and vice versa.[14]
Roland ED SC-D702001326416086324-bit @ 44.1kHz or 48kHzDigital audio-oriented desktop module version of the SC-8820. Contains A/D inputs as well as USB audio functionality when connected to a host system. This is also the only Sound Canvas module to have digital audio ports built in. The output can be selected either 44.1kHz or 48kHz.

Sound Canvas Personal Computer Products

ModelYearStandardsPartsVoicesTonesDrumsetsOutput resolutionNotesReferences
Roland SCC-119921624317 / 354916-bit @ 32kHzPC based ISA card (8-bit). The SCC-1A and SCC-1B (different software packed with card) revision upgraded the board to 354 tones. First model technically not GM compatible (GM reset interpreted as GS reset).[2][17][3]
Roland RAP-101993GM1626128616-bit @ 32kHzPC based ISA high-end Soundcard. Includes two-channel 16-bit digital audio support.[3]
Roland SCB-71995GM1628128616-bit @ 32kHzDaughter board to attach to a SoundcardWaveblaster port. Also sold as SCD-10 and SCM-10 in bundle with MPU-401/AT.
Roland SCB-5519951628354918-bit @ 32kHzDaughter board to attach to a SoundcardWaveblaster port. Also sold as SCD-15 and SCM-15 in bundle with MPU-401/AT. Internally 18-bit resolution, will be limited to 16-bit because of daughterboard connector, unless a hardware modification is performed (L/R external connectors or as an external unit). The SCD-15 was installed in Charlie Lab Megabeat One MIDI devices as well. Charlie Lab was very popular in southern Europe back in the 1990s/2000s.
Roland SCP-5519951628354918-bit @ 32kHzPCMCIA card to insert in notebook/laptop computer
Roland GPPC-N19931628354916-bit @ 44.1kHzNEC PC-9801 card to insert in computer

Computer Music Products

ModelYearStandardsPartsVoicesTonesDrumsetsOutput resolutionNotes
Roland CM-30019911624317916-bit @ 44.1kHz'Computer music' version of the SC-55, no screen. A beige box with a volume knob and two LEDs on the front, technically not GM compatible (GM reset interpreted as GS reset).
Roland CM-50019911624317916-bit @ 44.1kHzA beige box with a volume knob and two LEDs on the front, technically not GM compatible (GM reset interpreted as GS reset), combines the CM-300 with a CM-64.
Canvas

Sound Canvas and Keyboard

The following combine a sound canvas module with a built in MIDI keyboard

ModelYearStandardsPartsVoicesTonesDrumsetsOutput resolutionNotesReferences
Roland SK-50199416282268
Roland SK-50 IV199716282268
Roland SK-88 Pro1999326411174218-bit @ 32kHzSC-880 with 37 key MIDI keyboard[14][18]
Roland SK-5002000326416086324-bit @ 32kHzSC-8820 with 49 Key MIDI keyboard[14][19]

Edirol

Roland sold GM/GS products under its Edirol brand. The samples contained in the ROMs of these units do not in all cases mirror the original SC-7 / SC-55 GM/GS samples. GM2 is downward compatible with GM. The SD line was also sold under the 'Roland' brand.

ModelYearStandardsPartsVoicesTonesDrumsetsNotesReferences
SD-202002326466023[20]>
SD-50200932128112532[21]>
SD-80200232128105030[22]>
SD-90200132128105030[23]>

Virtual Sound Canvas

There is also the VSC, Virtual Sound Canvas, range of PC software which provide GM and GS synthesis on Windows PCs. Many versions of Cakewalk'sSonar software came bundled with a copy of VSC, though from Sonar 4 onwards they ship with the improved TTS-1 softsynth, which Roland has sold previously through its Edirol subsidiary as the HyperCanvas.[24]

ModelYearStandardsPartsVoicesTonesDrumsetsNotesReferences
VSC-551996161282269[2]
VSC-88H320001612890226With SC-55, SC-88 and SC-88 Pro compatible instrument mappings. Most of the instrument samples are from the SC-55.[25]
VSC-MP120011612890226With SC-55, SC-88 and SC-88 Pro compatible instrument mappings. Most of the instrument samples are from the SC-55. A multipack containing the standalone MIDI synthesizer, a DXi plugin and a VSTi plugin. This is the only Windows NT OS family compatible version (Windows 2000/XP).[14][26]
SOUND Canvas for iOS201516160063iOS MIDI player app without patch editing.[27]
Sound Canvas VA20151664160063VSTi/AU plugin based on the SC-8820.[28]

Distribution

North America

Roland Sound Canvas Crack

  • Roland Systems Group U.S.

Europe

  • EDIROL Europe Ltd., London, UK

Related Research Articles

MIDI is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing and recording music. The specification originates in a paper titled Universal Synthesizer Interface, published by Dave Smith and Chet Wood, then of Sequential Circuits, at the October 1981 Audio Engineering Society conference in New York City.

A software synthesizer or softsynth is a computer program or that generates digital audio, usually for music. Computer software that can create sounds or music is not new, but advances in processing speed now allow softsynths to accomplish the same tasks that previously required the dedicated hardware of a conventional synthesizer. Softsynths may be readily interfaced with other music software such as music sequencers typically in the context of a digital audio workstation. Softsynths are usually less expensive and can be more portable than dedicated hardware.

General MIDI is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The official specification is available in English from the MMA, bound together with the MIDI 1.0 specification, and in Japanese from the Association of Musical Electronic Industry (AMEI).

Roland Sound Canvas

Cakewalk, Inc. is a former music production software company based in Boston, Massachusetts and currently a brand of Singaporean music company BandLab Technologies. The company's best known product was their professional-level digital audio workstation (DAW) software, SONAR. SONAR integrated multi-track recording and editing of digital audio and MIDI. The company also offered a full range of music software products, including Pyro Audio Creator—a digital music management program, and Dimension Pro—a virtual instrument.

Yamaha XG Waves ssl 4000 collection mac free download. is an extension to the General MIDI standard, created by Yamaha. It is similar in purpose to the Roland GS standard.

The Roland MT-32 Multi-Timbre Sound Module is a MIDI synthesizer module first released in 1987 by Roland Corporation. It was originally marketed to amateur musicians as a budget external synthesizer with an original list price of $695. However, it became more famous along with its compatible modules as an early de facto standard in computer music. Since it was made prior to the release of the General MIDI standard, it uses its own proprietary format for MIDI file playback.

SoundFont is a brand name that collectively refers to a file format and associated technology that uses sample-based synthesis to play MIDI files. It was first used on the Sound Blaster AWE32 sound card for its General MIDI support. Grindr premium free.

A sound module is an electronic musical instrument without a human-playable interface such as a piano-style musical keyboard. Sound modules have to be operated using an externally connected device, which is often a MIDI controller, of which the most common type is the musical keyboard. Controllers are devices that provide the human-playable interface and which may or may not produce sounds of their own. Another common way of controlling a sound module is through a sequencer, which is computer hardware or software designed to record and playback control information for sound-generating hardware. Connections between sound modules, controllers, and sequencers are generally made with MIDI, which is a standardized protocol designed for this purpose, which includes special ports (jacks) and cables.

The Roland AX-7 is a keytar that was manufactured by Roland Corporation from 2001 to 2007. This modern instrument contains many more advanced features than early keytars such as its predecessor, the Roland AX-1, and the Yamaha SHS-10. It runs on 6 AA batteries or an external power source. It has a 45 velocity sensitive keys, and a 3-character LED display. Several features aimed towards stage performance are present, such as a pitch bend ribbon, touchpad-like expression bar, sustain switch, and volume control knob, all on the upper neck of the instrument. There is also a proprietary 'D-Beam' interface, made up of infrared sensors that detect nearby motion.

The Roland SC-55 is a GS MIDI sound module released in 1991 by Roland. The SC-55 was the first sound module to incorporate the new General MIDI standard. It was the first in the Roland Sound Canvas series.

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The Roland SH-201 is a discontinued 49 key, 10-voice polyphonic virtual analogue synthesizer introduced in 2006 by the Roland Corporation. The SH-201 was discontinued in 2010. At the NAMM 2010 show Roland introduced its successor, the Roland SH-01 Gaia.

The Wave Blaster was an add-on MIDI-synthesizer for Creative Sound Blaster 16 and Sound Blaster AWE32 family of PC soundcards. It was a sample-based synthesis General MIDI compliant synthesizer. For General MIDI scores, the Wave Blaster's wavetable-engine produced more realistic instrumental music than the SB16's onboard Yamaha-OPL3.

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Roland Sound Canvas Manual

The Roland SC-7 General MIDI Sound Module is a stand-alone MIDI synthesizer module by Roland Corporation. It was released in 1992. It supports the General MIDI System and can also be used as a MIDI interface for a computer. The Roland SC-7 provides the basic (capital) Roland Sound Canvas sounds in a compact design for stand-alone, IBM PC/AT or Apple Macintosh computer use.

Roland

The Roland AX-Synth is a keytar that is manufactured by Roland Corporation, and was released in late August 2009. This modernized instrument builds on the features of its predecessor, the Roland AX-7. The most notable change is the addition of an internal synthesizer. A UV Black-colored 'premium' model called 'Black Sparkle' was released in September 2010. The AX-Synth has now been discontinued as well.

The Roland ED SC-8850 is a GS-compatible MIDI sound module released in 1999 by Roland under the name RolandED. The SC-8850 was the first sound module to incorporate the new General MIDI Level 2 standard. The SC-8850 uses a PCM sampling engine based on that of the SC-88 Pro, and supports 128-voice polyphony with 64-part multitimbrality. It came preloaded with the soundsets of all older Sound Canvas models, as well as the CM-32 and MT-32. Aimed at personal computer users, the SC-8850 features 1,703 instrument patches, including the GS sounds and additional GM2 sounds. The selection of effects includes reverb, chorus, and Roland's own Insertion EFX, which adds effects like vibrato, distortion, tremolo, etc.

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References

Roland Sound Canvas Vst

  1. - Synthman - SC-55
  2. Sound on Sound - The History of Roland Part 4
  3. Weksler, Mike; McGee, Joe (October 1993). 'CGW Sound Card Survey'. Computer Gaming World. pp.76–83. Retrieved 26 March 2016.
  4. Tokai Music - SC-55ST Specification
  5. http://xv2020.s14.xrea.com/
  6. Sound on Sound - Review of SC-50
  7. Synthman - Roland SD-35 specification
  8. Sound on Sound - Review of SC-88
  9. M-GS64 details DEAD LINK
  10. Toslink mod for somes SCs
  11. Sound on Sound - Review of SC-88 Pro
  12. 1996年、Roland GS音源の最高峰として登場したSC-88Pro
  13. Sound on Sound - Review of SC-880
  14. Sound on Sound - The History of Roland Part 5
  15. Sound on Sound - Review of SC-8850
  16. Roland ED SC-8850 - The First USB Synth! (Sound Profile Review)
  17. Crossfire Designs - Review of SCC-1
  18. Sound on Sound - Review of SK-88 Pro
  19. Synthman - SK-500 details
  20. https://static.roland.com/assets/media/pdf/SD-20_OM.pdf%7CManual%7CManual
  21. https://static.roland.com/assets/media/pdf/SD-50_OM.pdf%7CManual
  22. https://static.roland.com/assets/media/pdf/SD-80_OM.pdf%7CManual
  23. https://static.roland.com/assets/media/pdf/SD-90_OM.pdf%7CManual
  24. Sound on Sound - Exploring Sonar 4's TTS1 Synth
  25. Roland - VSC-88H3 details
  26. Roland - VSC-MP1 details
  27. http://www.roland.com/products/sound_canvas_va/
  28. https://www.rolandcloud.com/catalog/legendary/sound-canvas-va

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